Coordniator of Theatre Arts Assistiant Professor of Dramatic and Theatre Artsmusical Theatre
Each of our faculty members has a short inquiry and instruction synopsis below. For more information about career achievements, recent artistic credits and publications, please click on the faculty member'southward name.
Beau COLEMAN Associate Professor
Electronic mail: beau.coleman@ualberta.ca
Telephone: 780.492.1086
A theatre director and multidisciplinary creative person specializing in interdisciplinary performance creation, contemporary performance and revisioning the classics. Her international creative practice is ane of continual movement between various art disciplines, encompassing the mediums of theatre, functioning art/alive art, site-specific operation, digital media, dance, video and installation.
Master Didactics Areas: MFA Directing, BFA Interim, Performance Creation. Graduate Seminars in Directing and Performance. Graduate Supervision.
Dr. Selena COUTURE Assistant Professor; BA Coordinator (Winter 2021)
Email: couture2@ualberta.ca
Phone: 780.492.2241
Research focuses on Canadian Indigenous Theatre, Performance and Decolonizing practices; Land, Place Names and Operation; Indigenous Linguistic communication Revitalization Practices; Colonial Operation and the Structure of Whiteness; Archival Practices, the Repertoire and Historiographic Method; Resource Extraction and Refusal
Primary Instruction Areas: Theoretical Approaches to Theatre and Operation; Canadian Theatre; Canadian Indigenous Performance; Theatre and Colonial Modernity; Theatre and Performance Historiography; Decolonizing Research Methodologies in Performance Studies and Settler Responsibilities
Dr. Piet DEFRAEYE
Professor; BA Honours Coordinator (Spring, Summertime 2021), PhD Coordinator (Winter 2021)
Email: defraeye@ualberta.ca
Telephone: 780.492.1097
Research focuses on Reception Theories and Theatre of Provocation.
Primary Pedagogy Areas: Dramatic Theory, Introduction to Theatre Arts, Play Analysis. Graduate Seminars in Product Dramaturgy, Audience Reception Theory, Brecht, Enquiry Tools. Graduate Supervision.
Dr. Melanie DREYER-LUDE
Professor
Electronic mail: M.DreyerLude@ualberta.ca
Research areas: International theatre collaboration, bilingual performance, interdisciplinary art projects using multiple modalities, Ugandan operation techniques, Performance every bit Research, Educational Leadership and Policy Analysis, directing, acting, producing.
Teaching areas: directing, acting, empathy, interdisciplinary critical thinking, report abroad, cultural awareness.
Jane HEATHER
Professor; Acquaintance Chair (Undergraduate), BA Coordinator (Autumn 2020), ABBEDAM Advisor
E-mail: jheather@ualberta.ca
Telephone: 780.492.8721
Research examines the process and practice of theatre as a path to individual customs and social change with a item focus on global methodologies. Explores the key creative partnership between manager and playwright. Work every bit a playwright features community-based participatory research and participatory theatre.
Primary Instruction Areas: BA, Customs-Based Theatre, Directing, Scene Written report. Graduate Supervision.
Michael KENNARD
Associate Professor; Off the Cuff Festival Advisor
E-mail: kennard@ualberta.ca
Phone: 780.492.8717
Uses the clown techniques to explore performer impulse, truth and vulnerability in relationship to the audience. Creates imaginative worlds without literal boundaries.
Principal Teaching Areas: Performer-Created Theatre, Move and Physical Theatre, Commonage Creation, Clown. Graduate Supervision.
David KENNEDY
Associate Professor, MFA Directing Plan Coordinator
Electronic mail: david.kennedy@ualberta.ca
Phone: 780.492.7526
A director and artistic producer with wide experience in the not-for-profit regional theatre. Specializes in re-imagining the classics and the modern canon in production. Also has a considerable background in the creation of works of devised functioning.
Primary teaching areas: MFA Directing, BFA Interim, Performer Created Theatre, Graduate Seminars in Dramatic Structure and Playwriting and Functioning on the Gimmicky American Stage
David LEY
Professor, MFA Theatre Voice Pedagogy Coordinator
Email: dley@ualberta.ca
Telephone: 780.492.8720
Spider web site: http://vibrantvoicetechnique.com/
Creator of the Vibrant Vocalism Technique, which uses external vibration to aid in voice product. Explores tools for dialect acquisition. Research too explores vocal variation and its relationship to meaning in the presentation of classical text. Applies new discoveries and skills to his ain do as an actor in theatre and film.
Chief Pedagogy Areas: BFA Phonation, Speech in Rehearsal and Functioning, Dialects and Accents, BFA Interim, MFA Vocalism Pedagogy. Graduate Supervision.
Dr. Donia MOUNSEF
Professor; MA Coordinator (Fall 2020)
Email: mounsef@ualberta.ca
Telephone: 780.492.8711
Playwright, Dramaturge, and Performance Poet.
Research focuses on modernistic and contemporary French and Francophone theatre, politics, gender and performance, theories of the body, intermediality and adaption theory, performance equally research.
Primary Didactics Areas (Cross Engagement with Campus Saint-Jean): Introduction to Dramatic Arts, Play Analysis, Critical Theory, Playwriting, Media and Performance. Graduate Seminars in Gimmicky French and Francophone Theatre, Gender, Desire and the Modernistic Stage, Theatre of War, Intermediality. Performance Theory. Graduate Supervision
Dr. Stefano MUNERONI
Associate Professor, Associate Chair (Graduate), BA Honors Coordinator (Autumn 2020, Winmter 2021), MA Program Coordinator (Winter, Spring, Summertime 2021, PhD Coordinator (Fall 2020)
Email: Stefano.muneroni@ualberta.ca
Telephone: 780.492.8734
Research is grounded in post-colonial theory and includes the study of both intercultural and border theatre. Looks specifically at how socio-economical factors bear upon cultural and artistic weather condition, and how such conditions are negotiated in new plays.
Principal Teaching Areas: Play Analysis, Modernist Stage, Performance Theory. Graduate Seminars in Edge Theatre, Intercultural Theatre, Post-Colonial Theory, Enquiry Tools. Graduate Supervision.
Sandra Chiliad. NICHOLLS
Associate Professor
Email: sandra.nicholls@ualberta.ca
Telephone: 780.492.8715
Research is primarily dedicated to the development of new methodologies for histrion grooming; specifically practical to new piece of work and reinvented classics. Particular emphasis on kinesthetic connectivity, furthering the thespian'south ability to connect with their own beings and the spectator'due south.
Primary Teaching Areas: BFA Interim, Performer-Created Theatre, Directing. Graduate Seminars in Directing. Graduate Supervision.
Dr. Jean O'HARA
Banana Professor, New Works Festival Coordinator
Email: jeohara@ualberta.ca
Telephone: 780-492-1813
A theatre director with research and practise areas in multicultural theatre, devised theatre, social justice theatre, gender performance, Two-Spirit/Indigenous theatre and queer theatre/performance.
Primary Teaching Areas: directing, acting, performer creator theatre, physical theatre, operation studies, critical theory of the intersection of race, gender, sexuality (dis)abilities, and class in performance and theatre literature.
Jon PRICE
Associate Professor
Email: rjprice@ualberta.ca
Telephone: 780.492.8718
Research centred in new approaches to and furthering the application of engineering to ready structure. Particular interest in stage mechanics and new automation techniques for theatre production. Currently investigating sustainable production techniques for the theatre.
Chief Educational activity Areas: Technical Theatre, Stagecraft, Product Crew.
John RAYMOND
Professor, BFA Production Coordinator
Email: john.raymond@ualberta.ca
Phone: 780.492.8719
Research is situated in the exploration and development of the stage manager's function in a theatrical production. Formulating tools for extending the communication between the director, the actor and the stage manager within the context of a show rehearsal and functioning.
Main Teaching Areas: Phase Management, Product Direction.
January SELMAN
Professor, BFA Acting Product Coordinator
Email: jan.selman@ualberta.ca
Telephone: 780.492.8799
Directs contemporary and original theatrical work. Also a dramaturge and director of new theatre and performance, working with playwrights and theatre teams. Specializes in participatory and community-based theatre, as a facilitator and manager, and publishes based on this long standing practice.
Principal Instruction Areas: Directing, Performer-Created Theatre, BFA Acting. Graduate Seminars in Directing, Popular and Community-Based Theatre. Graduate Supervision.
Robert SHANNON
Acquaintance Professor
Electronic mail: rps@ualberta.ca
Telephone: 780.492.8725
Research is dedicated to the philosophy of total production blueprint. Practice encompasses intuitive, observational and conceptual drawing as the cadre of design development. Creative Activity integrates contemporary and historical visual culture into dynamic production designs.
Primary Teaching: MFA and BFA Theatre Pattern, Historic Apparel and Décor, Costume Design and Construction, Technical Drawing for Theatre Design.
Lin SNELLING
Professor; MFA Theatre Practice Program Coordinator
E-mail: snelling@ualberta.ca
Telephone: 780.492.1094
Web site: http://rewritingdistance.com/
Vimeo aqueduct: https://vimeo.com/channels/1463320
Inquiry is the honing of musical, experiential, intuitive, technical, energetic and anatomical intelligence the body offers through dancing. Past listening to the practical and paradoxical intelligence of the body, the dancer becomes scholar as the trunk'southward intelligence and intuition is a vibrant and sensual library. Making trip the light fantastic toe, dancing and discussing dance creates an open field for cross-pollination in art.
Master Teaching Areas: BFA Movement for Actors. Graduate Supervision.
Guido TONDINO
Professor; MFA Pattern Programme Coordinator
Email: gtondino@ualberta.ca
Telephone: 780.492.6206
Defines theatrical spaces as an extension of the inner meanings of text (and recently dance) in dissimilarity to a practice which sets out to define theatrical space as a reflection of a play's givens and a play'south narrative necessities. The setting of a play becomes a metaphor for the play itself. The architecture of the infinite is driven past the play's themes.
Master Educational activity Areas: BFA and MFA Theatre Design, Studio Techniques for Theatre Pattern, 3D CAD for the Theatre. Graduate Supervision.
Kathleen WEISS
Professor
Email: kathleen.weiss@ualberta.ca
Develops innovative performance techniques that reveal grapheme through extended imagery. Explores a performance linguistic communication that emphasizes the physical playing of the player moving in infinite, in varied kinds of audience relationship.
Primary Education Areas: Directing, BFA interim, Performer-Created Theatre. Graduate Seminars in Directing, New Play Dramaturgy, Emergence of the Managing director. Graduate Supervision.
Kenneth T. WILLIAMS
Assistant Professor
Email: kenneth.williams@ualberta.ca
Phone: 780.492.9099
Playwright and dramaturge, primarily focused on new play development.>Primary Educational activity Areas: Playwriting, Theatre Do, Indigenous Theatre History.
Academic Staff
Larry CLARK
Technical Director/Faculty Service Officer, Timms Centre for the Arts
Email: larry.clark@ualberta.ca
Telephone: 780.492.2486
Later on touring and performing with every avenue of live performance Larry is p assionate almost collaboration and adept at assessing the feasibility of designs. He promotes the position that technical product is office of theatre creation and is not an "off the shelf" production.
Research in the development of automated engineering science for the phase with emphasis on innovation in rigging design and integration of electric current and proven rubber techniques in lighting, video, sound and stage mechanics in alive functioning. He also devotes time and energy into developing and adapting sustainable processes for theatre production.
Dissolving the rift between performers, designers and technicians for the advocacy of the final production is the mission and safe, repeatable events are the mandate.
Main Teaching Areas: Product Crew, Technical Production. Graduate Supervision.
Jeff OSTERLIN
Lighting Supervisor, Faculty Service Officer
Email: jeffo@ualberta.ca
Telephone: 780.492.1110
Research focuses on light, theatre lighting, colour mixing, projection systems, projection mapping and the integration of audio or light using multi-parameter triggers.
Primary teaching areas: technical lighting, technical theatre, calculator media, best practices in theatre. Supervision of technical students in productions, advising blueprint students on the technical uses of lighting equipment.
Matthew SKOPYK
Sound Supervisor, Caput of Audio & Sound Blueprint, Faculty Service Officer
Email: mskopyk@ualberta.ca
Telephone: 780.492.1110
Matthew Skopyk is an Edmonton based Sound Designer and Composer.
Enquiry areas: Original music composition for theatre, audio blueprint for theatre, elasticity of musical every bit a parameter, sound reinforcement, psychoacoustic effects on audiences, object orientated programming for technical control of audio, video and lighting components.
Instruction areas: Sound system engineering & design, sound foley and digital manipulation, bones music composition for theatre, supervision & design advising of technical students in audio practicums.
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Source: https://www.ualberta.ca/drama/people/faculty/index.html
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